Abstract
In spite of the guidance provided by the Audio Home Recording Act (AHRA) of 1992, music companies are once again at odds with consumer electronics manufacturers. This time around, the dispute is over certain information technology products that enable consumers to copy digital music and transfer them to different formats, or exchange them over the Internet. This article will discuss anti-piracy measures being taken by digital content owners and the United States legislature to combat piracy and evaluate them in light of the AHRA.
Citation
Tia Hall, Music Piracy and the Audio Home Recording Act, 1 Duke Law & Technology Review 1-8 (2002)
Available at: https://scholarship.law.duke.edu/dltr/vol1/iss1/65